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Far afield of the blues
On the new album, "One of These Mornings" is more alt rock than anything Delta, "Black Water" is psychedelia, "Just a Feeling" sounds like early heavy metal, and "Invisible Ones" has more in common with George Thorogood than anything Musselwhite has done before. Not that stylistic range nor variety are bad things; but Musselwhite's playing never seems at home nor comfortable here much of the album has a forced feel to it, as if the genius of Musselwhite weren't reward enough for listeners. Props the Musselwhite and his producer for trying something new, but it ranges so far afield at times that his longtime blues fans are likely to be confused more than challenged. Highlights for his fans are likely to be the tracks that hew closest to the blues: "Sundown," which opens with a scintillating harp lead from Musselwhite; "Clarksdale Boogie" (which certainly is a boogie), and the closing number, "Blues for Yesterday." These all work great, and leave this blues fan wishing there were more of them here. |
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